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Projects

Showcase of Work

GIS Day 2020

For GIS Day held by Selkirk College, I produced a poster for the education of BC citizens about the accessibility challenges that First Nations communities face. This map outlines the average travel time a member of these communities would have in order to reach a Mental Health Care Program facility in 2016. This choropleth map was made possible by using the ESRI ready-to-use Network Analysis tool. Mental health is a human right and the issue of accessing supports needs to be addressed.

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White Bark Pine

This map was produced by creating coefficients of a regression model in Rstudio. This allows for a distribution raster to be produced for the probability of finding White Bark Pine, an Endangered coniferous tree species of western Canada. This map shows the power of integrating statistical analysis of tabular data with the integration of Geospatial visualization.

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Aerial Imagery Acquisition

This project shows the results of UAV flight images of the old Taghum bridge site. From these images that were orthorectified, I produced a Digital Elevation Model, a Digital Surface Model, and a Digital Terrain Model. This project highlights the skills gained in the GIS 323 course of Selkirks ADGIS program and some of the applications of Unmanned Aerial Vehicle (drone) Technology.

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The Power of Visualizing Data Using Raster Images

Using a Digital Elevation Model a Raster image was created to visualize a movement corridor for Grey Wolves on Vancouver Island. Habitat Suitability Models are powerful for determining where animals would appear on the landscape. This map shows the best guess where Grey Wolves would travel based on movement restrictions we hypothesis would slow them down.

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Old Timer

This image was produced using the power of Adobe Illustrator. This Vector Image Editing software can be utilized to create visually-stimulating effects on ordinary map components.

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Wood Burned Map

This map was produced to create a stacked plywood 3D map of Kluane National Park in the Yukon. The symbology and linework are specifically set in order for a wood cutting and burning device to recognize it and perform the cutting, etching, and burning effect that is needed.

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